Fred Kelemen retrospective one of the main events at the 17th T-Mobile NH IFF

Nightfall, dir. Fred Kelemen
Midnight Madness: "Free Fire" by Ben Wheatley and "Kuso" by Flying Lotus 17th TNH to feature films by Coppola, Lelio, Mundruczó, and Lowery

"Darkness is black velvet on which the world is painted," says Fred Kelemen, a guest of this year's festival and the subject of a New Horizons retrospective. This intriguing director and cinematographer is a master when it comes to long shots, handling light and shadow, framing, and unobtrusive sensibility. 

The majority of his work has been shot on film. The program of the retrospective will include all of his directorial work, including his 1999 film Dusk, which was an award winner at Toronto, and his latest film, the uncompromising Sarajevo Songs of Woe (2016). He was also the person responsible for the unique visual aura in Béla Tarr's The Man from London and The Turin Horse (both these films, along with the short Journey on the Plain are also part of the program).

On this black velvet of darkness, Kelemen paints, of course, with light: darkness and light are the most important protagonists in his films, which are guided by German expressionism. But he also made the bone-chilling Frost (1997) and the melancholy Fall (2005), a child of its time, in which punk energy and the specter of terror meet: testing, in different ways, the possibilities for political and social change. A spirit of resistance, something that is close to Kelemen's heart, can be seen in his films, which focus on outsiders and the margins of society, as that is precisely where the state of our society can best be seen. And so Kelemen explores side streets, the alleyways and suburbs of the poor, watching the sad inhabitants of the night passing the hours with successive shots of vodka. He digs around in the dark like someone trying to find a shiny coin they dropped in the mud. In his work, night is a place, bars are time, and the only light capable of defeating the darkness is the one hidden within us. This auteur, personal cinema-truly worthy of the New Horizons title-is certainly worth your time.

"Everyone should let it glow in full, not limited by anything," says the director in an interview in the book accompanying the retrospective Fred Kelemen: In the Light of Darkness. This is the director's personal story about cinema, landscapes, and his search for Utopia.

The 17th T-Mobile Horizons New Horizons will be held 3-13 August 2017. The festival's full program will be announced on 12 July. More information about the program can be found at

More news
Programme Jacques Rivette: retrospective of a French visionary 6/07/17
Programme New Israeli Cinema at the 17th T-Mobile New Horizons IFF 16/06/17
Programme Enthusiasts and oddities: Films on Art at the 17th T-Mobile NH IFF 8/07/17
Programme Masterful Dumont and two debuts: from Cannes to Wrocław and to Polish cinemas 12/06/17